National Artist for Visual Arts
(May 30, 1892 – April 24, 1972)
The country had its first National Artist in Fernando C. Amorsolo. The official title “Grand Old Man of Philippine Art” was bestowed on Amorsolo when the Manila Hilton inaugurated its art center on January 23, 1969, with an exhibit of a selection of his works. Returning from his studies abroad in the 1920s, Amorsolo developed the backlighting technique that became his trademark were figures, a cluster of leaves, a spill of hair, the swell of breast, are seen aglow on canvas. This light, Nick Joaquin opines, is the rapture of a sensualist utterly in love with the earth, with the Philippine sun, and is an accurate expression of Amorsolo’s own exuberance. His citation underscores all his years of creative activity which have “defined and perpetuated a distinct element of the nation’s artistic and cultural heritage”.
Among others, his major works include the following: Maiden in a Stream(1921)-GSIS collection; El Ciego (1928)-Central Bank of the Philippines collection; Dalagang Bukid (1936) – Club Filipino collection; The Mestiza (1943) – National Museum of the Philippines collection; Planting Rice (1946)-UCPB collection; Sunday Morning Going to Town (1958)-Ayala Museum Collection.