Lucrecia R. Kasilag, an educator, composer, performing artist, administrator and cultural entrepreneur of national and international caliber, had involved herself wholly in sharpening the Filipino audience’s appreciation of music. Kasilag’s pioneering task to discover the Filipino roots through ethnic music and fusing it with Western influences has led many Filipino composers to experiment with such an approach. She dared to incorporate indigenous Filipino instruments in orchestral productions, such as the prize-winning “Toccata for Percussions and Winds, Divertissement and Concertante,” and the scores of the Filiasiana, Misang Pilipino, and De Profundis. “Tita King”, as she was fondly called, worked closely as music director with colleagues Lucresia Reyes-Urtula, Isabel Santos, Jose Lardizabal and Dr. Leticia P. de Guzman and made Bayanihan Philippine Dance Company one of the premier artistic and cultural groups in the country.
Her orchestral music includes Love Songs, Legend of the Sarimanok, Ang Pamana, Philippine Scenes, Her Son, Jose, Sisa and chamber music like Awit ng mga Awit Psalms, Fantaisie on a 4-Note Theme, and East Meets Jazz Ethnika.